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		Defiance (2008) Directed by Edward Zwick   Review by
		
		Todd Plucknett   Edward Zwick’s new film
		
		Defiance is an insightful and 
		intense look into the lives of four brothers in Nazi-occupied Poland in 
		1941 and their struggle to survive after escaping into the Belarussian 
		forest. It is based on the novel by Nechama Tec called “Defiance: The 
		Bielski Partisians”, which was adapted for this movie by Zwick and 
		Clayton Frohman. It is a fascinating film that never loses its tone or 
		appeal. It is arguably Zwick’s finest film to date. The film starts out in thrilling fashion, with Zus 
		and Asael Bielski (Liev Schreiber and Jamie Bell) running through the 
		forest, watching the Nazi soldiers fleeing the village that they escaped 
		from prior to the invasion. When the coast is clear, they retreat back 
		to their village, only to find their parents murdered and their youngest 
		brother Aron (George McKay) hiding below the floor boards in a house. 
		They get out of there as soon as possible, then rest in the woods. Their 
		oldest brother Tuvia (Daniel Craig) shows up to complete the group of 
		brothers. Needing food and weapons, they seek out an old friend from a 
		nearby village and take some rations from them. The only problem was 
		that they also had to take several Jews that were hiding there from the 
		invading Nazis. Before they know it (thanks to Tuvia’s inability to 
		say “No” to anyone), the group had grown into basically its own little 
		village, so they started to set up camp. Their policy was that everyone 
		worked and everyone got treated the same, from food portions to 
		sheltering. They would seek out friends and take whatever they could 
		give to ensure their survival in the forest. They started out with one 
		gun with four bullets, but not too long later, they had weapons guarding 
		every part of the perimeter of the fort they had set up. This was able 
		to hold through several enemy invasions. Soon, they team up with a 
		Russian military group, who agreed to support the Jews if they offered 
		their best fighters to work for them and if their women would cook and 
		make clothes for them. This bond, while at times futile, had a large 
		part to do with the group’s survival. They were able to endure through a 
		brutal attack of a wolf, several invasions, a tragically snowy winter, 
		and a terrible sickness to the group’s leader. Zus and Tuvia are fascinating characters. Tuvia is 
		the emotional and rational of the two. He wanted to please everyone and 
		be as fair as possible. He was, for the most part, respected and 
		followed by every member of the village. He had a knack for motivation 
		and leadership. Zus, on the other hand, was the Lincoln Burrows of the 
		group. After finding out that his wife and child were dead, all he 
		wanted to do was kill some Nazis. He led groups to take out caravans and 
		invade Nazi camps to steal their goods and get some frustration off his 
		shoulders. He grew to not care anymore about life. What did he have to 
		live for? He kept fighting, however. He constantly disagreed and had 
		physical confrontations with Tuvia over how the system should be run and 
		what the next step should be. This clash of personalities really forms 
		the core of the film. They were fighting toward the same goal, but they 
		were going about it different ways and with different mindsets. In that way, the film is a lot like
		
		Platoon. Zus and Tuvia are of 
		course Barnes and Elias, and they have to coexist and actually work 
		together for survival. Zus and Barnes fight with an obsession and 
		fearlessness that is so uncommon, while Tuvia and Elias are trying to 
		hold everything and everyone together, while trying to keep their group 
		from acting and fighting too savagely. In that way also, Zwick is a lot 
		like Oliver Stone. Neither have a single subtle bone in their body, but 
		that is really what adds to their appeal and sometimes charm. Both have 
		similar camera techniques (in  
		Defiance  and many other Zwick films, this could be displayed through 
		several close-ups of characters with tears streaming down their 
		broken-down faces). In both directors’ films, everything is so blunt, 
		but when tackling subjects like Vietnam or the Holocaust, what wouldn’t 
		seem so pretentious and blunt? I feel that it is a credit to their 
		honesty and respect for the subject matter. Zwick’s direction and 
		representation of this astonishing true story is an incredible 
		achievement that is treated with nothing but the utmost admiration and 
		reverence. The film is able to survive and even thrive despite 
		its abundant strings of weak dialogue and probable historical 
		inaccuracies. Zwick’s careful hand is evident in every scene, holding 
		the film together. How exciting can a film set almost exclusively in a 
		Russian forest be? Well, it can be incredibly exciting, engaging, and 
		gripping. The score by the great James Newton Howard is the best score 
		of the year. It is likely going to get the same treatment as the best 
		one of the decade,  
		The Painted 
		Veil  (another Schreiber film, oddly enough), and fail to get the 
		Oscar nod. This score is pounding and creates the tone for every scene 
		in the film. The sound mixing is really just incredible in this film. 
		There are so many great shots and fascinating action sequences, placing 
		this film among the most technically and artistically captivating films 
		of the year. The other thing that cannot go unnoticed is the 
		acting. Daniel Craig, while it is fairly difficult to buy him as a Jew, 
		is very effective as the group’s leader. He does resort to being Bond in 
		some sequences in the film, but overall, he is quite good and 
		convincing. Liev Schreiber deserves an Oscar for his performance. There 
		is one scene in particular that is as well acted as any scene of 2008. 
		He is absolutely brilliant and compelling in his role as Zus, creating a 
		character of extreme complexity and passion. Jamie Bell is also terrific 
		as the younger brother who always wants to get in the battle. With a 
		core of those three characters with those three fantastic actors playing 
		them, the movie is able to reach heights that are uncommon for films of 
		this nature. They are truly incredible. Watching 
		Defiance was one of the best experiences I had at any 2008 film. It 
		is complex, inspiring, and always thrilling and engaging. They are 
		blessed with an incredible story, and I cannot imagine a more effective 
		representation of it. It is something that I was not familiar with prior 
		to my viewing of this film, but I can now say that it is one of the more 
		remarkable and moving accounts of the Holocaust I have seen in some 
		time. Sadly, though, this film has been treated like
		
		Rescue Dawn was last year, 
		with minimal recognition from awards circles. It deserves a lot more 
		credit than it is getting. Its aspirations were high, trying to possible 
		erase some previously-conceived notions about the Jews and their lack of 
		fight during the Holocaust ordeal. Well, this film completely opened my 
		eyes and reaches those aspirations in absolutely inspirational fashion. 
		It is a special film that deserves to be seen and deserves a much 
		stronger reception than it got.   Rating:
		
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