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		Kick-Ass (2010) Directed by Matthew Vaughn   Review by
		
		Todd Plucknett Posted - 4/26/10   Coming into a film like Matthew Vaughn’s
		
		Kick-Ass, I really have mixed 
		expectations. The things that were going for it were that it looked 
		really fun and it had Nicolas Cage in it. The negatives were that I was 
		completely unfamiliar with the source material (which is the case with 
		seemingly every movie) and that Vaughn’s only previous directions were
		
		Stardust and the wasted 
		opportunity  
		Layer Cake. I 
		went in expecting at least a good time, and more or less, that is 
		exactly what I got. The film is about Dave Lizewski (Aaron Johnson), a 
		social outcast who spends all of his time with his two buddies Marty and 
		Todd (Clark Duke and Evan Peters) at comic book shops and pointing out 
		cool porn sites to each other. They are basically Seth, Evan, and Fogell 
		from  
		Superbad, without all 
		the drinking and attempts at partying. Dave’s long unanswered question 
		is why no comic book fan has ever tried to be a superhero before. 
		“Because he would get his ass kicked on the first day,” one of his 
		friends adds. Dave would not accept that. He finds a corny wetsuit 
		online and orders it, picks up a few weapons, and calls himself 
		Kick-Ass, basically looking like Spider-Man in his sweatpants and ski 
		mask.   In another storyline, Damon Macready (Oscar-winner 
		Nicolas Cage) and Mindy Macready (Chloe Moretz) is a father-daughter 
		combo of soon-to-be superheroes. Damon is a former cop constantly trying 
		to get back at crime boss Frank D’Amico (Mark Strong) who was 
		responsible for him losing his badge. He trains his eleven-year old 
		daughter to be a vigilante hero with no conscience and tons of cool 
		weapons and moves. They (who call themselves Big Daddy and Hit Girl) 
		team with Kick-Ass, following a YouTube sensation video of Kick-Ass 
		taking out some thugs outside a diner trying to mug another guy. The 
		quest to take down D’Amico forms the basis for this wacky comic book 
		adaptation. The acting in the film is fairly average to below 
		average. Johnson is only believable for about half of the movie. He 
		cannot stay in character it seems. Duke (Hot 
		Tub Time Machine) and Peters (Never 
		Back Down) are both somewhat annoying distractions from the bloody 
		awesomeness. Strong (Lord Blackwood from
		
		Sherlock Holmes) is effective 
		in his villainous role. Christopher Mintz-Plasse is fine, though he is 
		basically playing a snobby version of his part in
		
		Role Models. Lyndsy Fonseca 
		plays love interest Katie, which she does credibly. She has some good 
		lines, but it is a useless character. Moretz (so good in
		
		The Poker House and
		
		(500) Days of Summer) is 
		terrific in her role. Watch out Abigail Breslin, this girl is the real 
		deal. But this film belongs to Cage. Everything he does reminds us why 
		he was so amazing back in the ‘90s. His role reminded me of Stanley 
		Tucci in  
		The Lovely Bones, 
		mixed with the Cageness of  
		Face/Off and 
		 Kiss of Death. 
		The scenes near the end of the movie should be disturbing, but I can’t 
		help but laugh hysterically of Cage screaming at the top of his lungs. 
		It is his best mainstream role since
		
		Lord of War. Hopefully this 
		will be the film that stops the horrible film choices and make this 
		decade will be more like the ‘90s than the ‘00s. This film has some of the craziest violence I have 
		seen in quite some time. Not since
		
		Pulp Fiction has such a 
		bloodbath been so amusing. Even the most disturbing violent images are 
		so undermined by the loony premise and costumes that they bring out 
		gut-busting laughs. I guess that is who Vaughn in as a filmmaker, whose
		
		Layer Cake has similar 
		excessive grisly violence. I am not going to jump on board with him yet, 
		but this film showed some definite promise in an almost Tarantino-esque 
		genre. I loved the first half of
		
		Kick-Ass, when Dave was first 
		getting his identity as a quirky superhero. It was treated in a Wes 
		Anderson type of way, adding in stabbings, buckets of blood, and vicious 
		car accidents of course. In fact, if this film was made 10-12 years ago, 
		Jason Schwartzman totally would have starred in it. This is where the 
		film shines the brightest. The second half of the film gets a bit uneven 
		but never less than ruthlessly entertaining. It has shades of
		
		Kill Bill in its fight 
		sequences and  
		Watchmen in its 
		action atmosphere. It is non-stop insanity for the final hour, except in 
		the times that it throws in cheap laughs, always centering on the 
		uninteresting Marty, Todd, and Katie characters. But, that cannot take 
		away from the awesome revenge story and chance to see Cage in rare form. Overall, this film is definitely the most 
		entertaining thing I have seen this year. It is not a great film by any 
		means, but if you are looking for a good laugh, then definitely do check 
		this one out. It is not for everyone. That is a given. If you have it in 
		you to laugh at violence (similar to
		
		Pineapple Express) and the 
		flaws in the story and characters, then I am going to guess that you 
		will have just as good of a time as I did. Obviously, midnight showings 
		always exaggerate the experience a bit, since everyone if so into it. 
		But, either way, the film lives up to its title.   Oh yeah…and I totally agree with Colin Cowherd. 
		Jetpacks…totally underrated. Rating:
		
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